Bill Evans Portrait In Jazz Rar Zip For Mac
The first of two studio albums by the Bill Evans-Scott LaFaro-Paul Motian trio (both of which preceded their famous engagement at the Village Vanguard), this Portrait in Jazz reissue contains some wondrous interplay, particularly between pianist Evans and bassist LaFaro, on the two versions of “Autumn Leaves.”.
| Portrait in Jazz | ||||
|---|---|---|---|---|
| Studio album by | ||||
| Released | 1960 | |||
| Recorded | December 28, 1959 | |||
| Studio | Reeves Sound Studios, New York City | |||
| Genre | Jazz | |||
| Length | 43:20 (original LP) 61:13 (CD reissue) | |||
| Label | Riverside RLP 12-315 | |||
| Producer | Orrin Keepnews | |||
| Bill Evans chronology | ||||
| ||||
Portrait in Jazz is an album by Americanjazz pianist Bill Evans, released in 1960.
History[edit]
Eight months after his successful collaboration with Miles Davis on the album Kind of Blue, Evans recorded Portrait in Jazz with a new group (the Bill Evans Trio) that helped change the direction of modern jazz.
Most noticeably, LaFaro's bass is promoted from a mere accompanying instrument to one of almost equal status to the piano (though not to the extent that it would be on later albums such as Sunday at the Village Vanguard). It is one of Evans' more up-tempo and swinging albums (the presence of several ballads notwithstanding).
Reception[edit]
| Review scores | |
|---|---|
| Source | Rating |
| Down Beat (Original Lp release) | [1] |
| Allmusic | [2] |
| Mojo | (no rating) [3] |
| Encyclopedia of Popular Music | [4] |
Reviewing it for Allmusic, music critic Scott Yanow wrote of the album: '.. the influential interpretations were far from routine or predictable at the time. LaFaro and Motian were nearly equal partners with the pianist in the ensembles.. A gem.'[2] Danny Eccleston of Mojo wrote: 'Portrait In Jazz - Evans' fifth record as a band leader - gets you every which way. At its least great, it is merely brilliant.. But what makes Evans extra-extra-special is the way his playing drags you in and shares the vulnerability at its core. Oh, the humanity!'[3]
Track listing[edit]
- 'Come Rain or Come Shine' (Harold Arlen, Johnny Mercer) – 3:24
- 'Autumn Leaves' (Joseph Kosma, Jacques Prévert, Johnny Mercer) – 6:00
- 'Witchcraft' (Cy Coleman, Carolyn Leigh) – 4:37
- 'When I Fall in Love' (Victor Young, Edward Heyman) – 4:57
- 'Peri's Scope' (Bill Evans) – 3:15
- 'What Is This Thing Called Love?' (Cole Porter) – 4:36
- 'Spring Is Here' (Richard Rodgers, Lorenz Hart) – 5:09
- 'Someday My Prince Will Come' (Frank Churchill, Larry Morey) – 4:57
- 'Blue in Green' (Miles Davis, Bill Evans) – 5:25
Bonus tracks on CD reissue:
- 'Come Rain or Come Shine' [Take 4] - 3:23
- 'Autumn Leaves' [Take 9, mono] - 5:25
- 'Blue in Green' [Take 1] – 4:39
- 'Blue in Green' [Take 2] – 4:26
Personnel[edit]
- Bill Evans – piano
- Scott LaFaro – bass
- Paul Motian – drums
Additional personnel[edit]
- Orrin Keepnews – producer
- Jack Higgins – engineer
- George Horn – mastering
References[edit]
- ^Down Beat: September 15, 1960 Vol. 27, No. 19
- ^ abYanow, Scott. 'Portrait in Jazz > Review'. Allmusic. Retrieved June 28, 2011.
- ^ abEccleston, Danny. 'Portrait in Jazz > Review'. Mojo. Archived from the original on May 22, 2011. Retrieved June 28, 2011.
- ^Larkin, Colin (2007). Encyclopedia of Popular Music (4th ed.). Oxford University Press. ISBN978-0195313734.
External links[edit]
bill evans trio 65.rar [Full version]
Direct download
Bill Evans Trio - Portrait In Jazz (1959) [VINYL] {16-44} {Analogue Productions APJ-018 ~ 180g 45rpm
From mediafire.com 190.73 MB
Bill Evans Trio - Portrait In Jazz (1959) [VINYL] {16-44} {Analogue Productions APJ-018 ~ 180g 45rpm
From mediafire.com 190.73 MB
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Bill Evans Trio - Portrait In Jazz (1959) [VINYL] {16-44} {Analogue Productions APJ-018 ~ 180g 45rpm
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